Sarah GOEBEL

Above, the Tenders worship The Creator with

smiling “Gifts.” Below, the Giftless cry out

through uncrowded mouths. In this parallel world,

faith, loyalty and perfectionism are tested in a

commune where “The Word” rules. Sermons are

delivered, doubts are punished, and differences

divide as the question lingers: what is worthy of

our love?

After the sudden death of their larger-than-life

friend Louisa, roommates Isabella, Nick and

Cherry are left to pack up her room with the help

of Louisa’s younger sister, Sofia. As they sift

through clothes, memories and cardboard boxes,

the group struggle to face their grief and the

question of how life continues without her.

Told from multiple perspectives, How to Grieve is a

tender and at times comic exploration of

friendship, love and the messy work of saying

goodbye.

This performance delves deeply into the illusion of freedom, unravelling how beauty standards, trauma, and societal expectations subtly shape our lives. Glitching, choking movements transition to scenes of emotional shutdown and defiance; each piece reflects a battle between autonomy and control, exposing the cost of survival in a world that punishes softness and demands compliance. It’s not just performance, it’s a reckoning. 

For anyone who has ever felt trapped in a system, in a body, or in someone else’s version of who they should be, this work invites you to question, to feel, and to remember that healing is not linear, but it is powerful.

Frontier is an interactive musical theatre piece exploring friendship, unrequited love and apologies. This show truly has everything, epic battle sequences, dancing, drag performances... all of which take place at a Quiz Night.

Tied tells the story of a girl’s struggle to accept that she needs to cut ties with a manipulative person in her life. The motif of red string represents how she feels trapped in the relationship and the dream-like plot surrealistically depicts a battle between two parts of herself, one who clings to the good memories and one who recognises the relationship’s negative emotional impact.

Obsession is an understatement. Being Cupid's assistant is not for the weak, but it helps when you're drunk on love